Diezel D-Moll Bedienungsanleitung Seite 13

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Seitenansicht 12
4.1.3 C
h
Thi
s
rh
y
go
o
mo
4.1.4 Mi
d
Th
e
He
a
ap
p
fea
t
Thi
s
thr
e
ad
d
4.2 Pre
-
Th
e
us
e
mu
Thi
s
am
rel
a
dif
f
wa
s
reli
fac
t
pit
c
mi
c
tub
h
annel T
h
s
channel i
s
y
thm guitar
o
d punch a
n
re” rule ap
p
d
Cut
e
section M
i
a
vy or Nu-
M
p
roximatel
y
t
ure, one c
a
s
Mid Cut f
u
e
e channel
s
d
itional pro
g
-
amp Tub
e
e
pre-amps
e
d to make
ch higher t
s
is not to
u
plifier. Als
o
a
ted to def
e
f
erent gain
s
made to
e
ability. Th
e
t
ors from t
h
c
h. The inp
u
c
rophonic t
u
es can als
o
h
ree (Lea
d
s
voiced fo
r
. Due to its
n
d will, wit
h
p
lies here
a
i
d Cut inco
r
M
etal type
m
y
400Hz. T
o
a
n bring th
u
nction is
M
s
. If you d
o
g
rammabl
e
e
s
are equip
p
big power,
han that o
f
u
ndermine
o
, many nui
e
ctive pre-
a
stages, an
d
e
nsure a wi
e
overall pe
h
e outside.
u
t stage is
u
be behavi
o
o
cause hu
m
d
)
r
highly art
i
slight mid
r
h
ease and
a
lso.
r
porates co
m
usical sty
o
compensa
e volume l
e
M
IDI assig
n
o
n’t want t
o
e
volume c
o
p
ed with 12
but merel
y
f
the power
their utter
sance defe
a
mp tubes.
d
offer a wi
de variety
rformance
o
This woul
d
especially
s
o
r, then th
e
m
or other
b
i
culate sin
g
r
ange acce
n
authority,
ntrols for I
n
les, the In
t
te for the i
e
vel back u
n
able and c
a
o
use the M
i
o
ntrol with
t
AX7 tubes
y
as pre-a
m
amplifier t
importanc
e
cts like cra
c
Like all ot
h
de variety
o
of tones,
w
of pre-am
p
d
manifest i
s
uspect to
t
e
first tube
b
ad noises,
g
le note lin
e
n
t and ver
y
rule any st
a
n
tensity an
t
ensity con
t
nevitable v
p with the
a
n therefor
id Cut func
t
t
he Intensi
t
in all positi
m
plifiers. T
h
ubes.
e
in overall
ckling nois
e
h
er tubes,
1
o
f tonal be
h
w
ith low noi
s
p
tubes is e
a
tself by a
s
t
his pheno
m
should be
c
like crackl
e
s or for ve
y
high gain
a
ge or stu
d
d Level. D
e
t
rol attenu
a
olume loss
Level Cont
r
e be assig
n
t
ion, then i
t
t
y control s
ons. The p
r
h
erefore th
e
sound and
e
s and low
1
2AX7 tub
e
h
avior. Ou
r
s
e and, ho
p
a
sily influe
n
s
udden fee
d
m
enon. If o
c
hecked as
ing or ticki
n
ry heavy a
n
structure,
i
d
io. The “le
s
e
signed for
a
tes low mi
d
when acti
v
r
ol.
n
ed to any
o
t
can be u
s
et to 0 or
o
r
e-amp tu
b
e
ir life exp
e
response
o
dynamics
a
e
s come in
m
r
choice for
p
e
f
ully, exc
n
ced by m
e
d
back soun
d
ne encoun
t
a rule. Pr
e
n
g.
n
d massiv
e
i
t possesse
s
s
s is often
friends of
d
range at
v
ating this
o
r all of th
e
s
ed as an
o
ff.
b
es are not
e
ctancy is
o
f the
a
re directly
m
any
productio
n
ellent
e
chanical
d
with high
t
ers
e
-Amplifier
e
s
e
n
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